From shame to status
— a freestanding research project on the sociocultural stigma of stains
Introduction
“Say goodbye to stubborn stains!”
This well-known slogan from a global stain remover brand encapsulates a dominant cultural ideal: cleanliness as virtue, purity as aspiration. On the company’s website, customers are encouraged to prolong the life of their clothes by removing all visible traces of dirt. The underlying message is clear—only spotless garments are worth keeping. As a result, vast amounts of still-functional but stained clothing are discarded, often ending up in landfills or incineration plants, both in Sweden and abroad. This obsession with the flawless extends to the second-hand clothing market. Despite increased interest in sustainable fashion, garments with minor flaws—stains, wear, discoloration—are routinely filtered out during sorting and deemed unfit for resale. Value is often assessed according to resale potential, meaning only items that appear close to new survive. The stained ones are excluded, not for their function, but for their failure to meet aesthetic and hygienic expectations.
Historically, dirt and stains have been linked to class, labor, and social exclusion. Stains are not just material blemishes—they are cultural signs that trigger disgust, shame, and rejection. While certain subcultures, such as punk or grunge, have reappropriated the stained and worn as part of their aesthetic and political identity, the mainstream continues to equate cleanliness with value and respectability. In a time of urgent ecological challenges and calls to reduce overproduction, this stigma becomes problematic. If the most sustainable garment is the one already made, then discarding clothes due to minor stains is neither rational nor responsible. To meet sustainability goals, we must reconsider our relationship with visible wear and the shame it evokes.
Project description
This research project sets out to explore how the stained, the worn, and the “imperfect” are culturally constructed and socially managed. It brings together research with the ambition to ask:
What perceptions about stains are present within contemporary cultural and commercial contexts?
How do these perceptions shape cultural behavior?
Where are the borders drawn between clean and dirty in relation to context?
How are the cultural norms surrounding stains contextually constructed and materially maintained?
What strategies—visual, narrative, or commercial—might shift the stigma and enable stained garments to be seen not as shame but as status?
What the project seeks is to reframe the stain not as a sign of shame, but as a site of cultural negotiation and potential. By investigating how stains move through systems of value, taste, disgust, and desire, this project aims to contribute new insights to the field of sustainability, retail and second hand-shopping—where cultural change is as vital as technical innovation.
Latest update: 2025.05.28
Author: Sandra Kvist
Copyright: Brindille